Projects with keyword: Diversity

Over the past decades, the literature on regionalism and regionalisation has grown considerably, and so has the literature on citizenship. But although globalisation, international migration, and processes of state rescaling, regionalism and regionalisation have vast implications for the formation of political, economic and social citizenship at regional levels, few explicit attempts have been made to bridge the literature on regionalism and regionalisation, with the literature on citizenship. Accordingly, the main aim of this project is to - empirically and theoretically elaborate on the concept of regional citizenship.

The project explores the fundamental question of who is, and who is not, considered deserving of welfare services, how deservingness is negotiated and with what implications, in a context of increasing diversity driven by migration, welfare restructuring, and austerity. Such negotiations serve to draw boundaries between those migrants who have access to the support and services of the welfare state, or are believed to have access, and those who are excluded, e.g. because they are deemed as not belonging or are seen as responsible for their own neediness. Variation will be made visible and comparable by exploring how solidarities are informed by different constellations of welfare and migration regimes, in both urban areas and rural / small towns with varying degrees of diversity and migrant settlement. Our multi-sited ethnography in Denmark, Sweden, and the UK will focus on six welfare micropublics, local spaces where entitlements to support and services are negotiated. We focus on how deservingness is constituted according to migrants' generational status and according to spatial dimensions of the neighbourhood where migrants settle.

This project suggests a new research concept. It assumes that aesthetic expressions offer unique methods for inquiring into political emergence. Aesthetic works own this potentiality because they register sociopolitical transformation through voice, embodied experience and subjective expression, comparable to the testimonial mode of the participant, in situations of antagonism and political violence.

– How are collective protests, migrant movements, and authoritarian populism – and their mutualtensions and interdependencies – articulated in contemporary aesthetic presentations and performances?
– In comparison to disciplinary research in the social sciences, what do such aesthetically rendered accounts tell us about the political emergence of collective protest, migrant movements, and authoritarian populism?
– In which ways can the aesthetic dimension improve our understanding of the concept and practices of democracy, in an era of social rearrangement and computational control of collective behavior?

The project engages aesthetics to traverse epistemological boundaries and enables methodological convergences between the social sciences and the aesthetic humanities.